Tim’s practice is concerned with the many ways people listen, specifically how listening environments can be constructed or explored using a diverse range of techniques and technologies. He has a background in recording sound and his practice is anchored in the creative use of field recordings. Tim improvises with field recordings, microphones, modular synthesizers, sculptural loudspeakers and resonant sound objects which, when combined, create layered listening environments. He uses a variety of self-constructed technologies to playback and manipulate his recordings.
Collaboration plays a central role in his approach, he has been lucky enough to make artistic work with Chris Watson, Phill Niblock, John Bowers, Jacek Smolicki and Sébastien Piquemal. Recently his work has been presented at Cafe OTO (2018), Brighton Dome (2018), New Ear Festival, New York (2018), History of Bosnia Museum, Sarajevo (2018), ARC, Switzerland (2018), bb14, Linz (2017), Stereolux, Nantes (2016), Baltic, Gateshead (2017), Touch Radio (2016) FACT Liverpool (2016), Eastern Bloc, Montreal (2016) and The Wired Lab, New South Wales, Australia (2016)